Be Careful With Whom You Allow to Read Your Work

Henry Varnum Poor- The Orchardist and His Family (Summer Afternoon)Years ago, a member of my extended family asked to read one of my stories, and so I gave her one.

When we spoke next, to sum it all up, she pointed out connections my story made to my personal life.

For example, she explained how–like one of the characters in my story–my mom had purchased an item from a television infomercial. She also was quick to point out a typo I’d made.

At the time, I had just begun to take writing seriously, but even then, this conversation didn’t sit well with me. I had no idea my mom had purchased such an item, for one thing. It felt as if this person was trying to pick apart and rationalize a story I had crafted out of imagination, out of a creative trance, out of “the zone.” Her statements functioned under the assumption that the process of writing fiction was strictly limited to a writer’s personal life experiences.

Ann Beattie addresses this in Frederick Busch’s Letters to a Fiction Writer. (If you’ve never read this book, I’ve previously blogged about it here.) She writes:

People want to think what you do is not magical. That it is not far removed from the kind of thinking, and imagining, they themselves experience.

To compound the problem, this was someone who had her own aspirations with writing a novel; she just “didn’t have the time.”

Beattie also addresses this:

People who do not write will tell you that they haven’t gotten around to it yet because they know they can do it. They just need to get the kids in school, hire a lawn service and spend weekends writing, recycle their notebook into useable material, make a concerted effort to remember their dreams. It can be done tomorrow. Any time.

As writers, we need to be careful with whom we allow to read our work-in-progress.

Correct me if I’m wrong, but it seems like all writers need two kinds of readers: one set of readers who will continually praise anything we write and another set of readers who will give us raw, intelligent feedback with how to improve our stories.

Not all of our friends and family members will fall under either of these two categories. It’s dangerous to assume otherwise, regardless of all of their good intentions.

Why or why not? Please leave me a comment below.

And as always, write your heart out.

 

Photo credit: deflam / Foter / CC BY

Letters to a Fiction Writer

Letters to a Young Fiction Writer

Recently, one of my students asked me if I could refer him to a few good books that would help him improve his stories. At the time, I remember referring him to Ron Carlson’s Ron Carlson Writes a Story and Robert Olen Butler’s From Where You Dream: The Process of Writing Fiction. (So as not to get off topic, I’ll blog about these two in future posts under this category.) But I’m not sure if I ever mentioned Frederick Busch’s Letters to a Fiction Writer.

Letters to a Fiction Writer was one of the first books I read on the craft of writing fiction and “the writing life.” I’ve read and reread dogeared passages from it through the years for comfort or inspiration. So it only seems appropriate that I’d share a quick overview of this book with you in hopes that you might be comforted and inspired by it, too.

In Rosellen Brown’s “You Are Not Here Long,” she writes:

The poem, the story, the novel in the hand, they succeed or fail on their own terms, by being fully what they intended to be or not–and ultimately what they wanted to be, how large, how challenging, how original, will be judged as well. Whether they sell–and if you write books, how well they sell–is so little correlated (if not inversely correlated) with quality that in the end it is only your sense of satisfaction that will define your success.

I find this particularly comforting, especially when I receive rejection letters or emails. Janet Turner Hospital addresses these rejections directly in “Letter to a Younger Writer Met at a Conference.” She writes:

When rejection slips or rotten reviews come in, I tell [students]: have one stiff drink, say five Hail Mary’s and ten Fuck-You’s, and get back to work.

LOL. I love that quote!

Lastly, in “To a Young Writer,” Joyce Carol Oates (one of my favorite writers) writes:

Don’t be discouraged! Don’t cast sidelong glances and compare yourself to others among your peers! (Writing is not a race. No one really ‘wins.’ The satisfaction is in the effort, and rarely in the consequent rewards, if there are any.) And again, write your heart out.

This last quote speaks to the theme of this entire blog. It’s my hope that you write the fiction that you need to write, the stories that come from somewhere deep down. Don’t let anyone or anything stop you! Write your heart out!

 

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